“You Can See Everything” has become a hot topic in the film industry, with viewers eager to avoid spoilers. This rush to theaters during its opening weekend resulted in over $15 million in ticket sales, marking the second-highest debut for a non-musical documentary in domestic box office history, falling behind only 2004’s “Fahrenheit 9/11.” Despite a limited release in just 855 theaters across Canada and the U.S., the documentary’s success was evident.
Receiving overwhelmingly positive reviews, “You Can See Everything” achieved a remarkable 99% fresh rating on Rotten Tomatoes and a 4.8 rating on Letterboxd, making it the highest-rated film on the platform to date. The film’s premise, following the lives of Theranos founder Elizabeth Holmes and her partner Billy Evans in the days leading up to her fraud-related prison sentence, captivated audiences in theaters.
Toronto film critic Teri Hart described the theatrical experience of watching the documentary as intense, with viewers physically leaning in, gasping, and applauding. The unique dynamic between directors Nathan Fielder and Lance Oppenheim, combined with Holmes’ communication style, created a captivating narrative that left audiences questioning the concept of truth.
Distributed by A24, known for collaborating with visionary filmmakers, “You Can See Everything” joins the list of successful films under the company’s banner. Hart praised A24 for its commitment to working with auteurs and directors with distinct artistic visions. The documentary’s ability to provoke thought and spark discussions among viewers showcases its impact as a cinematic experience that challenges perceptions of reality.
As a catalyst for conversations and reflections, “You Can See Everything” has proven to be a thought-provoking and immersive film that invites audiences to engage with its complex narrative. Its refusal to neatly tie up loose ends has left viewers with lingering questions and a shared sense of intrigue, fostering a communal experience that extends beyond the theater walls.