Writer and filmmaker Charlie Polinger’s debut film, “The Plague,” delves into the familiar territory of adolescent struggles within the setting of a water-polo summer camp in 2003. While the premise may seem conventional, the film’s raw exploration of childhood experiences elevates it to a standout status in the film landscape.
The story follows Ben, a sensitive tween played by Everett Blunck, as he navigates the complexities of peer dynamics and societal pressures at the camp. Ben grapples with the conflicting desires of fitting in with his peers while also staying true to himself, amidst the influence of the manipulative ringleader, Jake, portrayed by Kayo Martin.
Jake exerts control over his group of swimmers through a mix of intimidation and manipulation, creating a tense atmosphere that culminates in a disturbing incident where Ben is singled out and humiliated. This event sets the stage for further exploration of power dynamics and the darker side of adolescent behavior.
As the narrative unfolds, the introduction of Eli, a camper ostracized due to a skin condition dubbed “the plague,” adds a layer of body horror to the film. Polinger skillfully uses this element to delve into themes of fear, isolation, and the destructive nature of group dynamics, pushing the characters to confront their deepest fears and desires.
While comparisons to the classic novel “Lord of the Flies” are inevitable, “The Plague” distinguishes itself by focusing on the personal journeys of its characters rather than serving as a direct allegory for societal issues. The film’s standout performances, particularly from Blunck and Martin, coupled with Polinger’s directorial vision and a haunting score by Johan Lenox, create a compelling and immersive cinematic experience.
In a sea of coming-of-age dramas, “The Plague” stands out for its nuanced exploration of adolescence, the complexities of human nature, and the haunting realities of growing up. It offers a chilling reflection on the fragility of youth and the unsettling truths that lie beneath the surface of seemingly innocent interactions.